Firefox Search Bar tricks, changing the default Firefox search from US to UK

I’m a bit of a Firefox fan, despite the fact the browser seems to render colours with less saturation. One of the very nice things I like is the search bar at the top right, which contains links through to some of the most frequently used search engines. You can customise the list easily enough, but you can’t customise the default search locations… or can you?

Normally, I like to search UK domains first, particularly when looking for a price or simply heading towards eBay or Amazon. I don’t mind the US versions, but I don’t head there by default. Until today I have been stuck with using ‘UK’ in every search term. Today, however, I decided to investigate it further.

Using a Mac, go to the Firefox application, control+click on it and select ‘Show Package Contents’ . Next, navigate to ‘MacOS/searchplugins’. In there you’ll find some simple XML files which are readily editable. I opened the Google, Amazon and eBay files and changed the settings manually from ‘.com’ to ‘.co.uk’. You can also change the title so that in the search bar it tells you where you are looking, too! A quick restart of Firefox and the new settings are in place.

google_search

Each time I search Google now, I default to the ‘.co.uk’ version and get the option of looking at the entire web, or simply pages from the UK. I’m happy with that! Similarly, Amazon now defaults to the UK site, as does eBay. Oh Joy 🙂

Of course, I fully expect an update will wipe out those changes, so a quick save of the files for later use is also necessary…

Multimap and pop ups

I am getting fed up with Multimap as a site. It used to be excellent, but they have tarnished themselves in my opinion by introducing unsolicited windows that appear in the background when you search for an address.

Why? It was pretty good before, but I am losing the will to continue visiting the site. As far as I’m concerned this is a pretty poor strategy from Multimap. Maybe others don’t feel so cheesed off by it, but for me it’s enough to make me turn to the AA web site instead.

Aperture Book Themes, changing the colour scheme

One of the slightly annoying things about Aperture is the limitations placed on you when creating a book. Whilst it is incredibly flexible in lots of ways, certainly much more than iPhoto, there are some things I really want to be able to alter.

One of these is the colour scheme in the ‘Special Occasions’ Aperture Theme. By default, you get a pale blue colour for any panel not holding an image. It looks quite smart, and the ‘helvetica Neue Ultra Light font is smart too… but I often find I want to change it. The trouble is, Aperture doesn’t let you do so easily.

Of course, if you fancy digging around in the files for the app then almost anything is possible! It’s not exactly easy, and you should always make a copy of the theme and work on that rather than jigger around with a perfectly good one and break it, but all you need is an eye for colour (and design?) and a decent text editor. I use BBEdit, but you can do equally well with the free Text Edit that comes with your Mac.

First things first – what I am about to do is not recommended, and I take no responsibility for how your system runs after you try it 🙂 Seriously though, work on a back up copy of the theme, and you can always delete it later. Also, it is likely that even if you do change things now, any update to the software could well over write your hard work… this tutorial works with v1.5 of Aperture. Apple have only this week released v2 as an update and it boasts new book themes and capabilities. It seems like a good time for me to play with the current version I have got installed, then!
Show contentsYou find the book themes by control-clicking on the aperture application icon (in your Applications folder) and selecting ‘Show Package Contents’ . Navigate to ‘Contents/Resources’ and scroll down to the folder ‘Book Themes’. It’s probably quicker to type ‘book’ as you won’t then have to scroll – the finder will jump to the items with those letters at the start. You’ll then see the themes nicely lined up. Select the one you want to alter and make a copy of it (by holding down ‘Alt’ and dragging the folder to the bottom of the list). You can see that I have copied my ‘Special Occasions’ theme and renamed it ‘Alternate Occasions’. A word of caution – simply renaming the folder won’t give you a new theme name inside Aperture. It *will* list it alphabetically in the theme browser, but the theme list will show two copies of ‘Special Occasion’. We’ll get round to renaming things a bit later on.

Now you have the copy, open the folder and have a look. In my case, the first folder is called ‘Hardcover’ and everything else is in that. The things you may want to change are likely to be the fonts you can use and the colour of the bocks. For the fonts, look for the ‘TextStyles.plist’ file and open it in your text editor. What you’ll see is a series of XML statements which define the fonts in use, the size of them and the colour/style.

Changing Font Colours

TextString

I would leave the ‘Title’ key values alone. these are referenced in lots of other places and changing them here means an awful lot of editing elsewhere. You can also easily change the font in Aperture without needing to edit things here, but these keys control the default settings for the book, so you might want to tinker a little. Changing the default font is simply a matter of changing the key by typing in the name of the font you want to use. I have changed from ‘Helvetica Neue Ultra Light’ to ‘Garamond’.

You can also change the font colour in the last line of the set. These are actually RGB values with a fourth value set to ‘100’. RGB values are from 0 to 255 in each channel, with 0 being no colour, and 255 being maximum colour for each channel. Thus, a value of ‘255, 255, 255, 100’ would give you white text. Similarly, ‘0, 0, 0, 100’ gives you black text. If you have access to Photoshop or any other decent image editor, you probably already have a good idea how these things go. Again, you can easily change the colours of the fonts in Aperture without editing this file, but if you want to set up a new default, set the line as you need it to be.

In some areas kerning may be set, too. If you don’t know about kerning, leave this set as you find it!

Changing the colour blocks

graphicsIf changing the fonts is not enough for you, how about finding the colour blocks and changing those? Open the ‘Graphics’ folder and look at the files there. The one I am interested in is ‘BlueRect.plist’. open this in the text editor and you will see a very much more simple set of code. All you need to do is change the value for colour, using the same system as above. For example, if you want a pale lilac block colour, set the values to be ‘235, 222, 241, 100’. Again, if you use Photoshop you can find these values very easily – use the colour picker tool and open up the colour setting dialogue. Move the target around in the colours and watch the RGB values change. When you have the colour you want, note the values and set them in the text file… easy!

Changing the Theme Name

So far we have been tinkering with the fonts and colours. You have already renamed the theme folder copy and when you make your book in aperture you get the new theme in the list of available books, but the name has stayed the same (despite renaming the folder). You can rename the theme so that it appears as you want in Aperture by simply opening the ‘Localizable.strings’ file found in the relevant ‘.lproj’ folder for your language. In my case, I open the ‘English.lproj’ folder where there is just one file. Open it in your text editor and look at the top of the file for the ‘Theme Name’ setting. Change it as you want and you are ready to go. You don’t need to change anything else in this file for the new theme to work.

Updating the Preview Image

Finally, to make your new theme easy to spot and have a nice icon from within Aperture, open up the ‘Preview.tiff’ file in your favourite image editor and make it look like your theme – change the colours, fonts or whatever. Even change the images to help identify it a little more. Save it back to its original location and you are done.

Restart Aperture

NewThemeBrowser

In order for your changes to show you need to re-start aperture. When it is running, try adding a new book and look at the list of options you now have. If all has gone according to plan, you should have your new theme showing in the list, ready to use.

If you combine your new theme colours with the existing ability in aperture to create new master pages then you have the opportunity to create some radical new layouts and over time I hope many people do.

Want to share themes?

Now you know how to edit your Aperture themes, why not provide a few for others to use? If ever there was an application crying out for additional content, this would be it, in my opinion! To get a new theme running, simply unzip it, put it in the ‘Book Themes’ folder and start Aperture. To get things going, have a copy of my ‘Alternate Occasions’ theme. It hasn’t changed much, just a font and colour change, but there is plenty more that could be done to make it more attractive. Over time, as new things change, I’ll update the file here.

AlternateThemeLilac

RUGroom at City College Norwich

One of the proudest moments for me recently was on Friday 8th February at City College, Norwich. This was the grand opening of the RUGroom space, which was created in less than one year and has been in use for the last few months. Our role was to initially specify the technology that would best support and extend the learning opportunities and in so doing we found we were getting more drawn in to the physical design. Not wanting to do a job badly, we called on the skills of Team A Go Go to help with the interior design. The blend of our combined knowledge and understanding of spaces and how they can be used has resulted in a unique space which is providing first class support for the students, who are all autistic.

We combined our knowledge and understanding of how technology can be used to engage learners with our approach to digital creativity and created a program of events, which we delivered to the college on a week by week basis. At the same time as this, we invited a small group to our offices in Chelmsford so that they can help specify and design the online space, too.

The opening on Friday was attended by none other than Charles Clarke, MP for the City and former Secretary of State for Education. He spoke of the potential that is within all learners and the importance of unleashing that, which of course is what we believe, too! Our programme of sessions, run brilliantly by Matthew Eaves, has shown repeatedly that there are ways to engage all learners, and it is about finding the way in… technology is important, but interestingly, not always essential. A lot depends on the learner, the subject and of course the purpose for the activity.

The BBC ‘Look East’ news team were there in the shape of Louise Holmes (who we worked alongside in 2006 with the BBC Blast project), and the event was reported on BBC Look East throughout the afternoon and early evening. A snapshot of this is available on YouTube.

There is more about all this on the Digital Creativity web site, which explores what we did, why we did it and what we found out.

Nikon Camera Control Pro Software

Having written in glowing terms about Scott Kelby, who recommended the use of Nikon’s Camera Control Pro software, I now find I am going to speak less favourably about it.

OK, first, it almost works well and certainly I was able to shoot images and see them on my laptop screen, writing direct to hard drive. I could control the camera settings from the laptop and generally not have to touch the camera at all – good if you want to keep things still, certainly.

However, I have some gripes. Chief amongst them is that this software costs money, and it really isn’t all that good as an application on a Mac. In fact, it probably works better on a PC, since the layout of it was pretty counter intuitive. For example, when you use mac software you generally get a very logical experience. So when you take a photo and send it to your computer you’d expect it to appear on screen right away (or as soon as it ‘lands’), right? Well, no… you have to set a preference so that the image can be viewed. This just isn’t right, in my opinion.

Then you get the issue with speed. Resizing the window takes an age, whether you are viewing a RAW file of 15Mb or a JPEG of around 4Mb. There are only two size options pre-set – 100% (way too big for a laptop screen) and 50% – usable, but not great. At 100% you get scroll bars, which do not move. Where is the ability to set the scale exactly as you want it? Or do we rely on the infinitely slow resize the window and click the button that fits to the size you create?

Moving back and forth between images… ? Be prepared for a wait. A long, long wait.

It was excruciatingly slow and I thought there must be an update. There was – I had downloaded and installed version 1.3, and there was a version 2 ‘Pro’ application as a trial, too. The change og didn’t look impressive – basically added some functions for the D300 and D3 cameras. Fair enough, but I wanted to try it all the same. I downloaded it and ran the installer, which kindly informed me that it had to remove the earlier version before it could continue.

And that’s where it all stopped.

Version 2 wouldn’t even install on my system (OSX 10.5 ‘Leopard’) and just sat there eating resources as it did very little of any use. OK – it could be that it isn’t keen on the current flavour of OSX, and to be fair there is a suggestion on Nikon’s web site that hints this might be the case, but again – if it doesn’t work on Leopard, don’t let it start the installer (there’s plenty of apps that check the system before they install)!

So I am left with a great urge to shoot ‘tethered’ and no ability to do so. And the price for this is around $70, so I shan’t be parting with that money just yet, then.

This software really ought to be free. I can’t imagine anyone using this and thinking it was a good experience, and yet the potential for it is simply massive. As a free download I might live with it (and wouldn’t use it much). As a paid download I would feel absolutely cheated. Its a good job there is a trial period!

So come on Nikon – get your act together on this one. Give us the right functionality, get it working in an intuitive way, and get ALL of the features running at the right speed, please! I’d be happy to help you do this if you need someone to act as part of a focus group of testers – but until then I won’t be giving you any more money (well, for software at least).